Odalisques

In this body of work I am interested in the commonalities and the contrasts that compare the female figure to the coastal hills where I live. Similarities between the two are how the lines rhyme in ways that are a sublime invitation to the imagination, and how the fire adapted, San Francisco Bay Area landscape of renewal compares naturally to a Mother Nature figure. Differences that I think about are how the fragility of flesh contrasts starkly next to rocky volcanic land and sun parched vegetation of twisted manzanita, ticks and poison oak. I also notice our ephemeral inevitability. She is poised next to the old-as-the-hills existential element of time.

FALLEN, 2022, Oil/ canvas, 18x24 in | 46x61 cm

SLEEPING BEAUTY, 2022, Gouache/ Matboard, 20x16 in | 49x39 cm

BLANK STARE, 2022, Gouache on matboard, 17x14in | 43x36

DEEP CANYON, 2022, Oil on canvas, 30x24in | 76x61

UNDER SANTA YNEZ, 2022, Oil on canvas, 30x24 in | 74x59 cm

BLANK STARE, 2022, Oil, aluminum enamel on canvas, 24x20in | 59x49 cm

ODALESQUE, 2022, Gouache, orange acrylic primed matboard, 20x16 in | 49x39 cm

DAY DREAM, 2022, Oil on canvas, 24x20 in | 61x51 cm

FIGURE WITH HILLS, 2022, Oil on canvas, 24x20 in | 61x51 cm

LAYERED LIGHT, 2022, Gouache on matboard, 20x16 in | 51x41 cm

THE GOLDEN HOUR, 2022, Oil on canvas, 30x24 in | 74x59 cm